Best Lenses for Sony PXW-FX9
The Sony PXW-FX9 (B&H Photo/Adorama) is Sony’s latest 6K full frame Cine camera. FX9 is good for shooting documentaries, events, reality TV, education, or corporate productions. The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. The camera’s E-mount is machined from stainless steel and allows you to use E-mount lenses. Looking for recommended lenses for Sony PXW-FX9 ? You can take a look at below:
Sony Digital Cinema E-mount Lense:
Sony FE PZ 28-135mm f/4 G OSS Lens – Check Price at B&H Photo Video/Adorama/Amazon
Designed to satisfy 4K production requirements, the Sony FE PZ 28-135mm f/4 G OSS Lens is a wide-ranging zoom lens that covers wide-angle to telephoto perspectives while adding many features for your full-frame, APS-C, or E-mount camcorder or still photography camera system. The lens features a powered zoom control with a variable speed and zoom rotation direction reversal capability. Powering the zoom function is an SSM (Super Sonic wave Motor) drive that allows precision and quiet operation. Focus noise is also minimized through weight reduction of the focus element group and use of a linear motor. Iris function is also designed to be smooth and silent for cinematography demands.
Sony FE C 16-35mm T/3.1 G E-Mount Lens – Check Price at B&H Photo Video/Adorama
A fast and flexible wide-angle cine zoom, the flagship FE C 16-35mm T/3.1 G E-Mount Lens from Sony is a wide-angle zoom designed for full-frame E-mount cinema cameras. Distinguished by its constant T3.1 aperture, this lens offers consistent performance throughout the zoom range and benefits working in low-light conditions. The lens can zoom manually or it includes a detachable servo unit which can help create dramatic fast or slow zooms with ease, or it can be controlled by the camera’s handle or an external grip zoom. The FE C 16-35 features true cine design with its 0.8 MOD gear and 114mm lens diameter to fit standard cine follow focus and matte box rigs.
Zeiss Digital Cinema E-mount Lenses – Check Price at B&H Photo Video/Adorama
Building on the success of the well-regarded CP.2 lenses, ZEISS‘s CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings. All CP.3 lenses also share the same 95mm front diameter. Similar physical attributes across the lens line makes fitting lens accessories such as matte boxes, follow focuses, lens supports, and lens control motors easier and less time consuming.
Sigma Digital Cinema E-mount Lenses – Check Price at B&H Photo Video/Adorama
Sigma‘s FF High Speed Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. Denoting fast apertures and a high level of optical performance. These lenses are being remade inside cinema-ready housings, ready to use on professional productions as the FF (full-frame) High-Speed lens line.
Tokina Digital Cinema E-mount Lenses – Check Price at B&H Photo Video/Adorama
The Tokina Cinema Vista Lenses with an E mount and with focus scales marked in feet, provides an image circle that more than covers It provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. These lenses use aspherical elements and super-low dispersion glass in its optical design for optimal color correction and minimal distortion.